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Tuesday, November 2, 2021


by George Haloulakos

The "Peanuts" comic strip written and illustrated by Charles M. Schulz -- with an original run from 1950 - 2000 and continuing in reruns afterward -- is perhaps one of the best known and most familiar to multiple generations worldwide.  Beginning in the mid-1960s, this most beloved comic strip started to air on network TV as Charlie Brown, his faithful dog Snoopy plus his friends Linus, Lucy, Peppermint Patty, Marcie, Franklin and others went from print media into video!  In short order, celebrating various holidays or events with the "Peanuts" gang became a tradition for baby-boomers and every generation that has followed.

   The Halloween and Christmas programs are perhaps the most popular and well known in the franchise, with the Thanksgiving program often getting overlooked because it is sandwiched in between!  While the Thanksgiving program does not have the same memorable scenes as the Halloween (e.g., Snoopy as a World War I flying ace vs the Red Baron) or Christmas (e.g., Linus reciting the Nativity of Christ from the Gospel of Luke in the Holy Bible), it is a fun, whimsical reminder on the meaning of Thanksgiving as well as activities associated with late November. Here are two examples from "A Charlie Brown Thanksgiving" that might inspire you to check out this Emmy Award winning TV special:

- The show opens with Lucy enticing Charlie Brown to kick the football she is holding by calling it a Thanksgiving tradition.  Just as Charlie Brown approaches on a running start to make the kick, Lucy then yanks the ball away (as shown so many times over the decades) stating that some traditions just fade away!

- Snoopy and his best friend, Woodstock (the little yellow bird frequently shown as the dog's playmate) are dressed in Pilgrim attire getting ready for Thanksgiving dinner.

   Like all Charlie Brown programs, there is more to unpack.  But suffice to say, whether recalling this is a season for gratitude or simply gathering with loved ones and friends, the "Peanuts" gang allows us to either experience, reflect or perhaps reimagine holiday-themed events or special memories through the eyes of a child but with adult sensibility.  As this blog is being written, the World Series is being played out.  

   As the 2021 baseball season wraps up, this reminds me of how Charlie Brown and his best friend Linus have a legendary connection with the Fall Classic.  In December 1962 and one month later in January 1963, the final play of the 1962 World Series featuring the San Francisco Giants vs the New York Yankees -- [reviewed in our August 2020 GNN Blog "The Summer Game"] -- was immortalized in the "Peanuts" comic strip.  Both variants feature Charlie Brown and Linus sitting on the curb in a moment of reflection for several frames, both having a visage of appearing despondent and distant.  The final frame in both variants features Charlie Brown jumping to his feet with his mouth wide open as he lets out his grief:  In the first variant - "Why couldn't McCovey have hit the ball just three feet higher?" while in the second variant - "Why couldn't McCovey have hit the ball even two feet higher?" Like his creator Charles Schulz, Charlie Brown was an avid Giants fan.  In the comic strip world of "Peanuts," we experience the anguish of such moments in time through a fusion of adult stoicism and child-like outbursts that are a reminder on how our childhood stays forever with us.

   As, you, our wonderful GNN audience gather with loved ones and friends to celebrate the Holiday Season, take time out from your busy schedules to watch Charlie Brown and the "Peanuts" gang experience the unbridled joy and excitement we all remember as children, and hopefully carry with us in our hearts.  Be sure to share your favorite memories of "Peanuts" by posting to the Galaxy FACEBOOK page (and please remember to "like" us when doing so) or via e-mail to the GNN web site.

If you would like, please connect with me via LinkedIn (where my active following is now 1,100+ and steadily growing).  View my profile at:

Monday, October 4, 2021

"CROCODILE" DUNDEE - 35th Anniversary: "G'Day Mate!"

by George Haloulakos

With this familiar greeting, this month's GNN Blog takes this opportunity to celebrate the 35th Anniversary of "Crocodile" Dundee.  Released in 1986, this action comedy featured Paul Hogan in the lead as the rugged outdoorsman Michael J. "Crocodile" Dundee (aka "Mick") with Linda Kozlowski as newspaper journalist Sue Charlton, his romantic interest.  The film begins in Australia where we bear witness to Mick's physical prowess in the Australian Outback and the burgeoning romance with Sue, a newspaper journalist who is there to write a lengthy feature on "Crocodile" Dundee for her employer.  It then shifts to New York City as the newspaper (owned by Sue's father) decides to bring Mick for an all expense-paid visit to the USA as a pretext for continuing the feature story.  

   While in Australia, Mick is clearly in his element having fun with his mates while escorting Sue deep into the Outback providing physical evidence for his legendary exploits that are to be profiled in Sue's feature article.  When the scene shifts to New York City, the film becomes a comedy of manners as Mick deals with various situations while somewhat bemused by American big city customs and behavior.  Among just a few of the social situations that our hero deals with, while delivering some memorable lines:

An attempted robbery is broken up when Mick responds to his attacker -- that is brandishing a switchblade (as Sue cautions Mick to be careful because the assailant has a knife) -- by pulling out his very own outsized "Jim Bowie" hunting knife while laughingly declaring "that's not a knife, THIS is a knife" and then swiftly dissuading the would be muggers from further engagement while noting they are just kids having fun! 


   Our hero tells a New York driver to "get on the right side of the road you pelican!" Mick concludes the reason there are so many car accidents in the US is that the steering wheel is on the wrong side of theThere is much more, especially when Mick attends various social gatherings.  But this small sample reflects the "fish out of water" theme as the film audience connects with the man who has ventured from the Australian Outback into a very different kind of jungle, New York City (aka The Big Apple).  Mick is able to skillfully navigate the urban jungle while making friends, winning the admiration of the public and maintaining his integrity while exercising common sense.  He is a person who shows himself to be attractive to both men and women with a carefree, devil-may-care approach to life.

   Vintage film buffs will note that in some ways "Crocodile" Dundee is a 1980s variant of the 1942 MGM classic "Tarzan's New York Adventure" that starred Johnny Weismuller.  Both of our heroes remain quietly but firmly self-confident as they try to make sense of big city behavior and civilization.  When circumstances require bravery and integrity, both Tarzan and Mick are able to come to the rescue.  It is a theme that transcends time while successfully being able to poke fun at prevailing social customs of the day!

  The financial success of "Crocodile" Dundee (it earned over $328 million in worldwide box office receipts) led to two sequels -- "Crocodile" Dundee II (1988) and "Crocodile" Dundee in Los Angeles (2001).  

   One of my favorite lines came from the Los Angeles sequel.  Early in the film the audience -- along with Mick -- sees actor George Hamilton playing himself in a cameo appearance at a Hollywood party where he is extolling the virtues of coffee enemas.  Later in the film when Mick is hosting a fellow Outback survivalist named Jacko who is visiting LA, the two outdoorsmen are seen walking along Hollywood Boulevard passing by a local gourmet coffee outlet.  When Jacko suggests they have coffee, Mick (recalling his earlier encounter with George Hamilton) tells his friend "Oh no, mate.  You do not want to have coffee the way they do here!"

Part of the enduring fun is seeing Mick handle all the different challenges - be it through physical prowess, common sense, humor and the cleverness we associate with survivalists - while having the respect and love of Sue as well as the deep friendship with his mates from the Australian Outback.  It's a winning formula that still holds true more than 35 years later!

If you have special memories of our favorite Australian Outback survivalist that you would like to share, please post to the Galaxy FACEBOOK page (and be sure to "like" us when doing so) or via e-mail to the GNN web site..  Please connect with me via LinkedIn (where my active following is now 1,100+ and steadily growing).  View my profile at:

Sunday, September 5, 2021

"COLUMBO" - 50th Anniversary Celebrating Peter Falk as TV's Favorite Detective

by George Haloulakos

This month marks the 50th anniversary of when "COLUMBO" began airing regularly as a major network TV show, running from 1971 - 1978.  However, this endearing and much celebrated fictional police detective, actually had three separate runs, and herein, are some interesting plot twists that equal some of the wonderful scripts that featured Peter Falk in the starring role.

   Created by Richard Levinson and William Link, it was originally thought by the two writers that either Lee J. Cobb or Bing Crosby should play the role of Columbo.  However, with Cobb unavailable and Crosby declining the offer, director Richard Irving convinced Levinson and Link that Peter Falk would be an excellent choice as the fictional homicide detective for the Los Angeles Police Department.  This decision was part one of Peter Falk's association with the character he became inextricably connected with for the remainder of his career.  In the late 1960s, NBC was airing full length, made-for-TV movies featuring major film and television stars.  As part of this lineup in 1968, a one-off TV-Movie-of-the-Week, "Prescription: Murder" featured Peter Falk in his debut as Lt Columbo matched against a psychiatrist (played by Gene Barry) who murdered his wife (Nina Foch).  This one-off film proved so popular that network executives requested that a pilot for a potential series be made to determine whether the character could be sustained on a recurring basis.  This was part one of the Peter Falk / "COLUMBO" saga.

  Part two began with the pilot "Ransom for a Dead Man," a 1-1/2 hour film featuring Lee Grant as the killer that aired in 1971.  The popularity of the pilot prompted the decision to create a regular TV series but with a few notable twists or real points of difference that helped catapult both "COLUMBO" and Peter Falk to legendary status.  With the series now given the go-ahead, thereby beginning its second run (the first being the aforementioned one-off "Prescription: Murder") it was decided to air "COLUMBO" about once a month as part of The NBC Mystery Movie, a rotating series that not only featured Peter Falk as "COLUMBO" but Rock Hudson in "McMillan & Wife," Dennis Weaver as "McCloud" and Richard Boone as "Hec Ramsey."  As a motion picture star, Falk refused to commit to a grinding schedule of filming a new episode every five days.  The extra time now available led to a much higher quality product since each "COLUMBO" episode was essentially filmed and aired as a full-length, made-for-TV film!  Given the stellar line up of guest stars (including Academy and Emmy Award winners from Hollywood's storied past), each "COLUMBO" movie was truly a special event.

   For the next seven years, "COLUMBO" dominated its time slots: in its first year, it was shown on Wednesday evenings, but in its second year it moved to Sunday evenings, where it remained a fixture in the NBC lineup.  The season premiere episode for Fall 1973, "Any Old Port in a Storm," proved so popular that NBC made the unusual decision to broadcast an encore just a few weeks later!  This episode featured Donald Pleasence as an eccentric winemaker who murders his brother to maintain financial control of the family winery, only to have the crafty Lt Columbo -- whose new-found knowledge of wine was shared with the TV viewer -- create an elaborate trap revealing how the murder was committed.  Counting the original one-off 1968 "Prescription: Murder" and the 1971 pilot "Ransom for a Dead Man," a total of 45 "COLUMBO" episodes (full-length made-for-TV films) were made from between 1968 - 1978.  This was part two of the "COLUMBO" / Falk saga.

  Part three ran from 1989 - 2003, as the ABC TV network revived the series with Peter Falk returning as Lt Columbo in 24 "specials" that aired over a fourteen year period.  In this sequence, our favorite homicide detective showed that like a fine wine, he improved with age.  Many of the stars who had previously been on its original 1971-1978 series, rejoined Peter Falk to tantalize audiences with new variants of a time-honored formula as Lt Columbo continued to match wits with the rich, famous, powerful and amazingly gifted perpetrators who invariably underestimated the keen intellect of their police adversary.  With vintage or classic TV, there is obviously a treasure trove of trivia to unpack.  But with this month's GNN blog, we hope this will inspire you to check out the many websites devoted to Peter Falk in his signature role as "COLUMBO."  You may also revisit "COLUMBO" by watching ME TV every Sunday which is airing the entire series sequentially, or watch on DVD or streaming.

   If you have special memories of "COLUMBO" and Peter Falk that you would like to share, please post to the Galaxy FACEBOOK page (and be sure to "like" us when doing so) or via e-mail to the GNN web site..  Please connect with me via LinkedIn (where my active following is now 1,100+ and steadily growing).  View my profile at:

Sunday, August 1, 2021

"Sixty One in '61" : Roger Maris: A Man for All Seasons

by George Haloulakos

Baseball is a game that marks the passage of time.  This summer as we celebrate the 60th Anniversary of Roger Maris hitting 61 home runs in 1961, we are reminded there is so much more than just a number when taking the measure of a man.  Baseball analytics, which views the game on the diamond through the prism of statistics and metrics, reveal a very good player that in a twelve year career (1958-1967) slugged 275 home runs with a .260 batting average and 850 runs batted in (RBI).  According to, this record generated 38.3 wins above replacement (WAR) that enabled Maris to earn two Most Valuable Player awards (1960-61) and appear in seven major league All-Star games.  At the peak of his career, Maris posted three consecutive seasons with 100 or more RBIs (1960-61-62) while helping the New York Yankees win three American League Pennants and two World Series Championships in that same period.  But these are just numbers, for with the passage of time we can appreciate Roger Maris as "A Man For All Seasons."

Maris was a player whose peak occurred at a time of enormous cultural, demographic and political change.  The mixed response to his pursuit of Babe Ruth's single season home run record at the outset of the 1960s reflected a generational divide along with the emergence of athletes as celebrities.  The onslaught of media coverage created such enormous pressure and public consternation for Maris that his only refuge could be found on the playing field.  In the decades since his record setting 1961 season, Maris can now be appreciated for not only being a man who placed team above self but a devoted husband and father who led an ethical life both on and off the field.

Since the decade of the 2000s, ongoing revelations of alleged use of steroids by many of the pursuers of baseball's home run records, the seemingly endless news reports of players committing physical abuse against loved ones, cheating and the like have helped to enlarge and affirm not only the magnitude of Maris's accomplishments on the field but demonstrate he was a man of honor, dignity and integrity.  When Maris hit his record setting sixty-first home run in a 1-0 season finale over the Boston Red Sox, it demonstrated for all time that beyond mixed press relations or controversy about Hall of Fame worthiness this was a man who was committed to being a good teammate dedicated to winning with integrity.  This carried beyond his Yankee tenure as Maris finished his career with the St Louis Cardinals helping the Redbirds win two National League Pennants and a World Series in his final two seasons (1967-68).  It was through his association with St Louis that Maris was able to launch a very successful career with a beer distributorship set up by Cardinals owner Gussie Busch.  Life after baseball proved to be most fulfilling for the man who is best remembered for 61 in '61.  In 1984, one year before his passing, the Yankees honored Maris by inducting him into the hallowed Monument Valley in Yankee Stadium with an inscribed plaque featuring a subtitle "Against All Odds."  

Although Maris's playing career occurred in the crossfire of cultural, demographic and political changes of the 1960s, the memory of the type of person he was seems to have transcended that most tumultuous time.  While his grave site commemorates 61 in '61 (along with the US Postal Service doing the same with its 1999 commemorative stamp for its century series), thanks to wonderful articles, books and films we are able to appreciate the life story behind those numbers.  The man who starred with baseball's most legendary team while receiving accolades from the President of the United States was able to retain the common touch by having life-long friendships with teammates and fans alike.

To learn about the person forever associated with the number 61, here are some recommendations for summertime reading and/or viewing pleasure.

Roger Maris.  By Maury Allen.  Donald I. Fine, Inc. 1986.

61* -- an HBO film directed by Billy Crystal (2001).

"Roger Maris and Me."  By Andy Strasberg.  Reader's Digest - May 1990.  Pages 65-68.

There is of course, much more.  But these three are my personal favorites, and perhaps this will encourage many of you to find other such treasures.  If you do, please post to the Galaxy FACEBOOK page (and be sure to "like" us when doing so) or via e-mail to the GNN web site..  Please connect with me via LinkedIn (where my active following is now 1,100+ and steadily growing).  View my profile at:

Sunday, July 4, 2021

"RIDERS ON THE STORM": Remembering Jim Morrison & The Doors

by George Haloulakos

Believe it or not, July 3rd marks the 50th anniversary of the unexpected passing of Rock Music legend Jim Morrison, lead singer of The Doors.  Despite being one of the most iconic and influential figures in Rock & Roll music history, his passing almost went unnoticed by the general public at that time.  Keep in mind this was decades ago, long before 24/7 digital social media.  Yours truly recalls reading about Morrison's passing in a column buried deep in the main section of a leading Southern California metropolitan newspaper that not only reported the death of this rock legend but that he had already been buried in the Poets Corner of the Pere Lachaise Cemetery in Paris, France!

  With this rather quiet, almost eerie exit, the stature of Jim Morrison & The Doors grew in the ensuing decades as their supernatural, mystical sound remained timeless if not transcendent.  The Doors were formed in 1965 with Morrison as the lead vocalist, Ray Manzarek as keyboardist, Robby Krieger as guitarist and drummer John Densmore.  Manzarek's keyboard artistry and versatility provided the bass when needed.  Taking its name from Aldous Huxley's book The Doors of Perception, The Doors became the first American band to accumulate eight consecutive "gold" LPs (Long Playing Records).  For those of us who grew up in Los Angeles, The Doors have forever been viewed as an "LA band" because of its inextricable connection with The Whiskey a Go Go, a Sunset Strip nightclub that only helped launch The Doors but also The Byrds, Buffalo Springfield, Frank Zappa and others while powering the LA music scene for over 50 years.  

   The members of The Doors were a fusion of varied musical backgrounds that included Jazz, Rock, Blues and Folk genres.  With Morrison's distinctive voice, poetic readings and very dynamic personality, The Doors and their music appear to have aged much better than their peers from the Summer of 1967 when The Doors released their self-titled debut album the same year as other major releases by The Beatles and The Airplane.  In a period associated with mayhem and counterculture, The Doors keyboardist Ray Manzarek observed that while The Beatles were singing "All You Need is Love" it was The Doors who sang "Light My Fire" thereby affirming a real point of difference versus their British counterparts and perhaps providing a more definitive, transcendent pop culture image.  When listening to the other songs from that 1967 self-titled debut album -- "Break On Through (To the Other Side)" which featured an uptempo bossa nova style with mambo influence, or the dramatic 12-minute "The End" (later heard in the epic 1979 film "Apocalypse Now") -- The Doors sound as fresh and unique now as they did more than 50 years ago!  The same cannot necessarily be said for other bands from that era whose musical style (as good as it was) is inextricably locked into a time warp.  This is analogous to an expression used in sports about various players who could succeed in any era.  The Doors are timeless and would fit in any era while also defining the decade of the 1960s with their very special music. 

   My personal favorite from The Doors is "Riders on the Storm."  Released in 1971, "Riders on the Storm'' was the last song recorded by all four members of the band as well as Morrison's last song released in his lifetime.  With the sound of waves crashing against the shore and Manzarek's cool jazz  keyboard playing in the background, Morrison recorded the main vocals and then whispered the lyrics over them to create a gothic echo effect.  The memorable line from this song "into this world we're thrown" would seem to reflect German philosopher Martin Heidegger's concept of thrownness (in which humans' individual existences are described as being literally thrown into the world).  With The Doors, there is so much more, as we have only touched upon just a few highlights.  But hopefully this will stir up memories!

   In this month's blog we have offered, so to speak, a sniff of the cork on a truly iconic rock band from Pop Culture history.  There are so many threaded discussions that can be derived from this column and we invite you to share your thoughts via posting on to the Galaxy FACEBOOK page (and be sure to "like" us when doing so) or via e-mail to the GNN web site.  Moreover, there are a number of books and video accounts about The Doors as well as Jim Morrison, and we would encourage our Galaxy audience to check them out on their own.  Finally, do know that I am always receptive to connecting via LinkedIn (where my active following is now 1,100+ and steadily growing).  View my profile at:

Monday, May 31, 2021

The "Play's The Thing": Why We Love Stage Plays

by George Haloulakos

The gradual nationwide re-opening in the aftermath of the public health crisis sparks a resurgence to engage in social activities that have been either in stasis or were only permitted on a limited scale.  This includes such recreational activities like attending or visiting theme/amusement parks, major sporting events, concerts, movie theaters, stage plays and many more!  During this period we have come to miss such activities because of the wonderful memories that are made when getting together with loved ones, friends and colleagues while witnessing great exhibitions or memorable  performances.  In particular, the shutdown of Broadway plays in New York City was especially distressing because of its iconic status that transcends multiple generations and cultures.  While the collateral impact of the shutdown was not confined solely to New York City, the world of stage theater has long been inextricably associated with Broadway and its symbolic leadership role in Fine Arts.

    The expression "The Play's The Thing" comes to mind as we celebrate the return of live stage theater.  This popular expression actually comes from William Shakespeare's Hamlet (Act 2, Scene 2)  in which Hamlet refers to using the play as a means by which to touch the conscience of Claudius (thereby letting Claudius know that he - Hamlet - actually knows who killed his father).  Whether you are a fan of the grand stage (i.e., a Broadway play), summer stock, dinner theater, school or neighborhood plays, there is indeed something very endearing, if not special, when attending a live stage play up close and in person!  So for this reason, "The Play's The Thing."

With this in mind, it would be great to hear from you, the wonderful GNN audience, about your favorite memories connected with stage plays!  In the spirit of good fun and as a conversation starter, I would like to share three very special memories that affirm why watching live stage theater remains a unique experience, even in the midst of our high-tech world.  

    My first special memory was attending the 1974 opening night for "Clarence Darrow" (featuring Henry Fonda in a one-man play) in which America's most acclaimed attorney took us on a lifetime journey of landmark court cases from the Scopes "Monkey" trial to the Leopold-Loeb child murder case.  By the end of the evening I came to feel like I had met Mr Darrow himself as these milestone cases in jurisprudence were recounted by Henry Fonda in the role of this larger-than-life American hero.  My second memory occurred just one year later and having the exact same exact experience when watching James Whitmore portray the 33rd US President Harry S Truman in his one-man play "Give 'Em Hell, Harry!"  Mr Whitmore allowed the audience to appreciate what this remarkable Man From Missouri experienced when rising to the highest elected office in the land and then having to make some of the most difficult decisions in our nation's history.  My favorite memory, however, was watching "Phantom of the Opera '' noted for its deeply moving songs and the crashing giant chandelier scene.  Every time I hear one of the great songs from "Phantom" I am immediately transported back to that wonderful evening of watching the mystery unfold right on stage!

    What are your special memories on why you love stage plays?  Are you planning to attend one or more as such public events now reopen?  Please share your thoughts, plans and memories via posting on to the Galaxy FACEBOOK page (and be sure to "like" us when doing so) or via e-mail to the GNN web site.  Likewise, I am always receptive to hearing from our wonderful Galaxy audience and/or connecting via LinkedIn.

View my LinkedIn profile at:  

Friday, April 30, 2021

The 80th Anniversary of "CITIZEN KANE"

by George Haloulakos

With the Academy Awards having just completed its annual recognition of the best film productions for the prior year, we thought it might be fun as well as timely to celebrate the 80th Anniversary of what the American Film Institute (AFI) has ranked the Number One movie of all time: "CITIZEN KANE."

Before we begin, here is a fun question for you to think about: As the Number One movie of all time (according to AFI), how many Academy Awards do you think "CITIZEN KANE" won?  More than five?  More than ten? The answer is at the end of this month's blog.

Released in 1941, "CITIZEN KANE" was directed, produced and co written by Orson Welles, who also starred in the lead role.  Much has been written and discussed about "CITIZEN KANE," including its groundbreaking film making techniques such as the innovative lighting and close-up / focusing methods of cinematographer Gregg Toland and the dramatic, sharp editing style of Robert Wise.  At  the time of its release, Welles was just 25 years old but already a media star because of his famous radio show Mercury Theatre on the Air, that had stirred the imagination of an entire nation with its "War of the Worlds" radio broadcast a few years earlier that sounded so realistic, large segments of the listening audience actually thought an invasion by the planet Mars was actually underway!

Essentially, "CITIZEN KANE" is a biography of the rise and fall of a fictional publishing magnate Charles Foster Kane, that closely resembled William Randolph Hearst.  This in itself, is an entirely separate multi layered story but is worth reading as it involved behind-the-scenes efforts by Hearst aimed initially at stopping its production and then later suppressing publicity of the film following its theatrical release.  If you have never viewed this film before, now would be a great opportunity to appreciate the iconic status "CITIZEN KANE" as the film follows the efforts of a news reporter to unveil the mystery of the word "Rosebud" - the last word uttered by Kane just prior to his passing.  In the process, we learn about Kane's entire storied life beginning with his childhood.  While the news reporter does not himself find out the true meaning of "Rosebud" the viewer is allowed to learn (or rather "see") that "Rosebud," is in fact, the name of Kane's beloved sled from his childhood.  A childhood that sadly and poignantly was taken from Kane at a young age, and that he vainly sought to regain for the rest of his life, even while rising to the heights of financial success.

The dynamics of political ambition, media and gossip of the day provide a flashpoint to "CITIZEN KANE" that is eerily similar to the 24/7 digital media of the 21st century.  As the viewer will see, the dark side of such a world is very much the same in 1941 as it is in 2021.  Human nature really has not changed all that much!  (The famous photo of Kane seeking political office is posted above.)

For those of you in the Galaxy Nostalgia Network audience who enjoy watching ME TV which airs classic TV programs from the 1950s - 1970s, one of the most endearing aspects of "CITIZEN KANE" is to watch members of the stellar supporting cast (all of whom were part of Welles' Mercury Theatre) before their memorable TV roles shine forth as star contributors in this landmark film.  Before they became stars, the following people made their mark in this classic film:

> Agnes Moorhead (who played Endora the witch in "Bewitched") -- portrays Mary Kane, the mother of Charles Foster Kane!

> Ray Collins (Lt Tragg on "Perry Mason") -- as James W. Gettys, arch political rival to Kane.

> Everett Sloane (who starred in a variety of dramatic roles in "Patterns" and "Twilight Zone")  -- as a lifetime business associate of Kane.

And here is one more thing to listen as well as look for when watching "CITIZEN KANE" -- that familiar, wonderful, deep, friendly voice coming forth from the shadows (where there are numerous news reporters gathered in a conference asking questions about the life of Charles Foster Kane) is none other than Alan Ladd (famous years later as the good samaritan gunfighter "Shane"), in an uncredited role.  Look closely in the closing moments of the film and you will see Mr Ladd's silhouette as he is sporting a hat and smoking a pipe in his reporter role!

Finally, the answer to our question on how many Academy Awards did "CITIZEN KANE" win is (1) Academy Award, for Best Screenplay.

Do you have any special memories or thoughts about "CITIZEN KANE" and its memorable cast of actors?  Please share your thoughts and memories via posting on to the Galaxy FACEBOOK page (and be sure to "like" us when doing so) or via e-mail to the GNN web site.  Likewise, I am always receptive to hearing from our wonderful Galaxy audience and/or connecting via LinkedIn.

View my LinkedIn profile at: